Atoll Ultra-Wide 2.8/17 Art Lens M & Mirrorless Mount Adapter
Signature Lomography aesthetic including lush, radiant colors, stunning sharpness, moody vignetting and oodles of character.
It’s fun since I can get super close to the subject! The closest focus distance is 10 cm on this lens, and the close-up portrait I could get from this lens was so vivid and powerful.Daisuke Hashihara
Optimized for videography with a modern helicoid focusing mechanism, dampened aperture control ring and short 88° focus throw so you can seamlessly adjust focus and f-stop whilst the camera is rolling for quick, quiet creative control.
Embrace a whole new perspective with an impressive 103° field of view, 17 mm focal length and minimal distortion.
Every lens comes with an external optical viewfinder for accurate composition with analogue cameras.
In terms of the prime lens game for wide lenses, it’d be probably the first one I’d go to because of how sharp everything is. The lack of warping or distortion or vignetting – any of those things when you go to nearly fisheye. None of that was there.Travis Emery Hackett
Shoot from every conceivable angle and draw the viewer in with exaggerated perspective and convergence effects. Experiment with leading lines and vanishing points or get down low and tip your camera backward to get intriguing worm’s eye view shots.
Soak up the close-ups with a closest focusing distance of 0.1 m with Canon RF, Nikon Z & Sony E mounts and 0.25 m with M mounts.
Offers great creative compatibility with Canon RF, Nikon Z, Sony E cameras when the Close-Up Lens Adapter base is attached and M mount analogue and digital cameras when it is not.
Lomography isn’t just touting the Atoll as a photo lens. Manual focus lenses are popular for video, and the wide view and close focus can set shots apart from those captured with other lenses.— PCMag
Broad aperture range spanning f/22 to f/2.8 ensures eye-popping colors and stunning saturation even in low-light conditions.
Rangefinder coupled with depth of field scale for easy focal distance measurement and sharp focus when shooting with M mount analogue and digital cameras.
The lens stops down to f/2.8 rather than other wide-angle lenses, where the minimum you can get is like f/3.4 or f/4. It’s really great in those types of situations where you need that extra stop of light.Tyler Woodford
Optimized optics including thirteen multicoated elements in ten groups, rectilinear optic design for reduced surface reflection.
Coupled with a maximum aperture of f/2.8, you can achieve impressive subject separation and background blur by getting right up close.— Digital Camera World
Lotus lens hood delivers excellent flare control with reduced surface reflection.
Introducing the Atoll Ultra-Wide 2.8/17 Art Lens – rangefinder coupled for use with analogue & digital M mount cameras and compatible with full-frame Canon RF, Nikon Z & Sony E mount mirrorless cameras with the use of special Close-up Lens Adapters.
Stop still amid the sea of city-slickers coursing through the gritty streets, wade deep into the dark-green forest and swim among the towering pines, cast off into the sandy desert, voyage into vast open vistas, surf the sidewalk, cruise through the crowds and glide along the great open road. Take a deep breath, dive in with your eyes wide open, set your sights on new ultra-wide possibilities and drench every inch of your shots in stunning detail with the Atoll Ultra-Wide 2.8/17 Art Lens.
Now, with the Atoll Ultra-Wide 2.8/17 Art Lens, you can capture landscape, action, street and travel photography as well as breathtaking film in jaw-dropping detail with digital and analogue cameras. With an impressive 103° field of view, 17 mm focal length and minimal distortion your ultra-wide shots will exaggerate relative size and boast impressive depth for eye-catching, inspiring, immersive photography and film. What’s more, every lens comes with an external optical viewfinder for accurate composition with analogue cameras.
You’ll render every pimple, dimple and wrinkle in the foreground whilst keeping the beautiful, bustling background in piercing focus too. The Atoll Ultra-Wide Art Lens offers you the opportunity to get super close to your subject for maximum immersion and drama. Thanks to its ultra-wide 17 mm wide-angle view, you can capture more than the human eye can see and create absorbing, action-packed, breathtaking shots. What’s more, with a modern helicoid focusing mechanism, dampened aperture control ring and short 88° focus throw, you can seamlessly adjust focus and f-stop whilst the camera is rolling for quick, quiet creative control. Get out there and capture the action!
Lomography Art Lenses feature the finest glass optics to produce photos that will astonish you with their colors and optical character. As well as being designed and assembled by hand, these lenses have been engineered using modern techniques and multi-coated to produce vibrant, strong, wonderful photos with a whole range of contemporary cameras. Each Lomography Art Lens brings with it a wide variety of creative possibilities, no two are the same.
Does my Atoll Ultra-Wide 2.8/17 Art Lens work on my SLR camera?
Technically this lens can be adapted to work with your SLR camera but not without losing infinity focus so we do not recommend it.
Can I use the Atoll Ultra-Wide 2.8/17 Art Lens with my mirrorless cameras?
Yes, using our Close-up Lens Adapters you can use your Atoll Art Lens on your Canon R, Nikon Z and Sony E Mount cameras.
Does the Atoll Ultra-Wide 2.8/17 Art Lens M Mount work on mirrorless cameras with a regular adapter or only with the one you offer?
Regular adapters do work but they might not support the close-up function and our adapter has been specifically designed for a seamless finish with the Atoll Ultra-Wide 2.8/17 Art Lens.