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Six Colorsplash techniques:
Place your Colorsplash camera in front of you. Sure, it looks pretty, but
it seems to be doing a whole lot of nothing. And that is the point: your
compulsive testing, constant flashing, and relentless attention will
make it come alive. Your camera must be on your person at all times. Each
day, indeed each fraction of an minute is another opportunity to toss your
creative juices all over a few frames of 35mm. With the many
variants of different exposure times, different colors, different people,
places, and light situations - the range of images that you can create is
endless. Colorsplash is not merely an extension of your life, but a part
of it.
Jump off and embrace these furious five Colorsplash camera
techniques to get started. Hungry for more? Don't worry, you'll be
writing your own list of never-before-seen tricks and tips soon enough!
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01
: Long Exposure with Flash (The Colorsplash Brush) |

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Setting your exposure control to the Long Exposure
setting allows you to keep the shutter for just as long as you can
press the release button. Aim at your subject and run wild. Streak
it from side to side, Z-O-O-M right into their nose, shimmy and shake
your lens around their ears. After a few seconds, let go of the
button to bathe your subject in a shower of colored flash light. The
result - a manic colored and sharp foreground against a blurred, streaked,
gorgeous background. Play with exposure times, colors, distance
to the subject, and camera movement for endlessly varied results. |
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02
: Instant Exposure with Flash |

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Bring the noise. Change your exposure setting
to instant shots and hit your subject with a quick, explosive
flash burst. Using a color filter will clothe your shot in a
deep veil of nearly monochromatic color. Darker colors are stronger,
lighter colors let in a wider range of tones. Switch to the colorless
filter for a perfectly respectable run-of-the-mill flash shot with
white light. |
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03
: Daytime with Flash |

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For best results, find yourself a mixed light situation. Like
when it's sunny and bright outside, and your subject is in the
shadows. Or, when it's nasty and overcast and your subject is in a
very good mood. Which is always nice. Flip to a color filter to spot-illuminate
your subject and ensure that her/him/it stands out against the natural
background behind them. Get close; there is a lot of outside light
for your flash to overcome in order to look g-o-o-d. |
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04
: Long Exposure with No Flash |

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It's night-time or gettin' to be around dusk.
Aim at something lit up and hold your shutter open with the Long Exposure
control. If the sky still has light, give it a second or so. If
it's really dark, then try about 10 seconds. Indoor bars
and restaurants take on bright red, yellow, and greenish hues - moving
lights dance across your image and people become shadowy blurs. Outdoor
lights flood across the horizon and the moonlit sky turns shades of
purple. Swing your camera around to create streaked patterns
of light. You can even "draw on film" using a strong
singular light source! |
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05
: Daytime Natural |

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Your Colorsplash is also quite talented at normal
daytime snapshots. Throw your eyes at the environment around
you and become partners with your contrasty Colorsplash lens - forever
on the hunt for intense, vibrant, and odd colors. (Click!) your
shutter at the bright yellow delivery van, (Click!) again at the deep
blue of the sea around you and the waning red and orange of the tropical
sunset. Gorgeous, breathtaking color is all around you - command yourself
to seek it out with each shot. |
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06
: Color Thunderstorm |

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Take your Colorsplash Camera and a Colorsplash
Flash. Notice that both are adorned with attractive, semi-matchingish
colors. Choose a subject in the foreground, set your Colorsplash Camera
to 'Long Exposure' and press the button so that the shutter opens
– keeping your finger on the button to keep the shutter open.
Then immediately use your other hand to set off the Colorsplash Flash
manually, holding it at an angle off to the side so that it flashes
directly at your subject in the foreground. By doing that you've added
a color to your motif. Now you can release the button on the camera,
and then it happens: it flashes again, this time with another color
and from the front. The result: nobody knows! The tension: mounts
ad infinitum! |
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